Saturday, January 11, 2025
Lex Anteinternet: Saturday, January 11, 1975. Storms. Things can, and do, get worse.
Wednesday, January 8, 2025
Lex Anteinternet: Work with meaning and the meaning of work.
Work with meaning and the meaning of work.
You see, in this world there's two kinds of people, my friend: Those with loaded guns and those who dig. You dig.
Blondie, The Good, the Bad and the Ugly.
Now listen to me, all of you. You are all condemned men. We keep you alive to serve this ship. So row well, and live.
Quintus Arrius, Ben Hur.
If you work for a living, why do you kill yourself working?
Sunday, December 29, 2024
Lex Anteinternet: The life of Fran Gerard/Francis Anna Camuglia.
The life of Fran Gerard/Francis Anna Camuglia. Was Francis Anna Camuglia and Cynthia Blanton.
Lex Anteinternet: Francis Anna Camuglia and Cynthia Blanton.: I ran into this item in a really roundabout way, that being a random link to a 1967 newspaper article. That isn't mentioned in either o...
Sort of going down the rabbit hole, I suppose, on this one, but the story is so illustrative of certain things, most of them pretty sad, so it's worth an additional, illustrative, look.
Cynthia Blanton replied to the post here, which was extremely nice of her to do, on her being a doppelganger for Francis Anna Camuglia, the March 1967 Playboy "Playmate", who appeared in that role as Fran Gerard. It turns out that my comment that they were close in age was not only correct, but there's an added freakish element of. The two young women were just eight months apart in age and, while Blanton had not met Camuglia, they had even been schoolmates in the same California high school, Granada Hills High School, prior to Blanton's family moving only shortly before March 1967.
Camuglia's obituary simply notes that she "attended" the school, which causes me to suspect, with nothing to back it up, that she might not have graduated. Her life would likewise suggest she didn't graduate.
The high school still exists, but is a charter school now. It was nearly new then, having opened in 1960. It seems to have consistently been a well regarded high school.
Camuglia was just a teenager when she appeared in Playboy and only barely out of high school. And not only was she only 19 when the photos ran, give the nature of production, she was 18 when they were taken.
One year younger would have made this child pornography.
Not that this would prove to be a deterrent for Playboy. At least two of the Playboy "Playmates" were 17 years old when their photographs were taken, and the magazine knew that at least one of the girls had that young age. They waited to run that girls' 17 year old nude photographs until she turned 18, which would not have made it legal, but rather likely to be undiscovered. Another seems to have lied about her age, although seemingly this could have been checked up on. One girl was specifically run as a recent high school grad who was the "youngest" playmate and getting her high school wish to be a centerfold, when in fact she was 17.
Early on, Playboy was under a serious European threat for advancing pedophilia, although oddly enough from its cartoons. It turns out, however, that it did in fact go as low as it could go, age wise, for nudes, and even lower than legally allowed.
To add to the sadness of this, Camuglia's first husband had divorced her, or vice versa, just a month prior to these running. When he married her he was 37 years old. She was 18.
I don't know the reasons for the divorce, or the marriage. What did an 18 year old see in a 37 year old. I don't know what he saw in her, but her physical attributes were no doubt undeniable. The marriage lasted only seven months and he disappears from the record. A person has to wonder if the Playboy spread brought about the divorce, although that's pure speculation. The odds wouldn't have been good for its survival at any rate, given the odd age disparity.
Her next marriage was in 1970. She would have been 22 years old at that time. Her second husband doesn't seem to be mentioned on her headstone, however, which suggests that she was not married at the time of her death.
Her father died in 2010, and her mother in 2016. Their devotion to each other, and their children, is noted on their headstones.
Related thread:
Francis Anna Camuglia and Cynthia Blanton.
Sunday, December 22, 2024
Lex Anteinternet: Francis Anna Camuglia and Cynthia Blanton.
Francis Anna Camuglia and Cynthia Blanton.
I ran into this item in a really roundabout way, that being a random link to a 1967 newspaper article. That isn't mentioned in either of the two sources noted here, that being Ms. Blanton's blog (which is quite good, I might add) or Reddit. I unfortunately can't find the link to the article.
Anyhow, let's start with an upload of the photograph on Ms. Blanton's blog:
Miss March holding her own centerfold?
No, Miss Blanton, then a high school student, holding the centerfold of "Fran" "Gerard", who was actually one Francis Anna Camuglia, who is apparently a legendary centerfold.
The story is related on the Blanton blog, and it is really amusing. Her resemblance was immediately noted in March 1967 by the boys in her high school, which I don't doubt. She's almost a dead ringer for Gerard, save that, if anything, she was actually prettier in this photograph. Their nose structure and generally their facial features are amazingly similar. Blanton relates that she used this to play a joke on her mother, holding the centerfold like depicted and briefly fooling her mother into thinking that she'd posed for Playboy. Apparently Ms. Gerard was extremely top heavy, and when folded out it becomes apparent that Gerard and Blanton are not the same person.
So why am I posting this here? Cute story?
I suppose it is a cute story, and Blanton really had a sense of humor and still does. But we're posting this for other reasons.
Gerard is apparently a famous playboy centerfold, for the very reason noted. The 1960s was before silicone and she was very top heavy, in an era when Playboy centerfolds were all pretty top heavy. That she still has a following is remarkable, particularly since she died in 1985.
And that's the reason we're noting her.
She was born, as noted, Francis Camuglia, and as her find a grave entry shows, she was from a large, almost certainly Italian, and almost certainly Catholic, family. By the time she was photographed in 1966 or 1967, she'd already been married and maybe divorced, and was off to a rocky start in life. If she wasn't yet divorced, she soon would be. She'd marry one more time, and go on to a life in California, working for an astrologer.
In 1985 she killed herself at age 37.
Blanton, in contrast, when on to high education, a successful life, and retired to Mexico. She's travelled all over the world, as her blog demonstrates.
At the time of the photo, Blanton and Gerard really weren't very far apart in age. Camuglia was born in May 1948, in which case she was a mere 19 years old when she appeared in Playboy, and only barely 19 years old at that. Blanton was younger, but not by much, probably only one or two years at the very most.
Blanton went on to success. Gerard was reduced in the public mind to her naked visage, a cute girl with (apparently) large assets.
The 1960s, while there was still open, and sometime legal, opposition to it, was right at the height of public acceptance of Playboy. In the 1970s you'd still go into grocery stores and it was available the way other magazines are now, on your way to the checker. It retained an image of "dirty" and glamourous all at the same time.
What the public didn't know was the long lasting effects pornography would have on the American public and psyche and how damaging it would be. Nor did it know about the horrific abuse so many of these young women went through. Not only did it basically brand them, to a degree, for life, making them something like harem slaves in a way of prior eras, valued for their physical assets and little else, they were often subject to horrific physical abuse.
I don't know about Gerard and I'm not going to look it up either. Entering her name would no doubt provide piles of pornographic links. That she was somebody who killed herself I already knew. There's a really good documentary, Secrets of Playboy, that really dives into what happened to so many of these people. Playboy left a pool of drugs and blood on the floor that we're still trying to mop up.
Her headstone is marked "Our Bubbie - Beloved Daughter and Sister".
Related threads:
Wednesday, November 20, 2024
Lex Anteinternet: Cliffnotes of the Zeitgeist, 66th Edition. A little song, a little dance, a little seltzer up your pants.*
Cliffnotes of the Zeitgeist, 66th Edition. A little song, a little dance, a little seltzer up your pants.*
Strange bedfellows.
Politics, as they say, makes for strange bedfellows.
This is sort of an odd aside, but the huge increase in male tattoos, including chest tattoos, has caused me to wonder, has there been a reduction in male chest hair in recent years?
Sunday, June 23, 2024
Lex Anteinternet: i nolunt
i nolunt
Radical refusal to consent.
More specifically, radical refusal to consent to the spirit of the times. It's part of what I admire in them, but it didn't strike me until recently.
John Pondoro Taylor, in his memoirs, recalled having seen Maasai walking through Nairobi as if it simply wasn't there, as they had always done, dressed in their traditional fashion, and carrying spears. On their way from one place to another, refusing to consent that the development of the city meant anything in real terms.
I was recently waiting in the Church for the confession line to form. One of the Mantilla Girls walked in. I've seen this one once or twice before, but not at this Church. She not only wears the mantilla, and is very pretty, but she carries herself with pride.
They don't all do that. Some of the younger women who wear chapel veils do so very naturally. Some sort of timidly, or uncomfortably. With at least one, and I could be massively off the mark, it's almost sort of an affectation. But here, you see something quite different.
Or so it seems.
I don't know her. I could be wrong. But it's clear she isn't timid and it's not an affectation.
It is, it seems to me, a radical rejection of the modern secular world in favor of existential nature.
For those who believe in the modern world, in modernism, or the spirit of the times, or who are hostile to religion, that may seem like a shocking statement. But the essence of our modern lives (or post-modern, if you insist) is a radical rejection of nature, most particularly our own natures. Wearing a chapel veil indicates that the person deeply believes in a set of beliefs that are enormously grounded in nature. The wearer is a woman, in radical alignment with biology in every sense, and accepting everything that means, including what the modern world, left and right, detest. I nolunt. She's accepting of the derision, and ironically, or in actuality not ironically, probably vastly happier than those who have accommodated modernity.
Moreover, those who think they're reaching out for a radical inclusion of the natural, who don't take the same approach, never can quite reach authenticity. There can always be a slight feeling that something isn't authentic, and there isn't. Reserving an element of modernity defeats it.
Related Thread:
We like everything to be all natural. . . . except for us.
Tuesday, April 16, 2024
Lex Anteinternet: Cliffnotes of the Zeitgeist, 64th Edition. Things authentic and important.
Cliffnotes of the Zeitgeist, 64th Edition. Things authentic and important.
Why there?
On Saturday, March 30, Pro Hamas protestors interrupted the Easter Vigil Mass at St. Patrick's Cathedral in New York City.
Why St. Patrick's?
For the same reason, most likely, that LGBTQ+ figures had a protesting funeral there recently. People are drawn to Catholic places, as they're real, and therefore attention is paid to them.
Why her?
Courtney Love, in an interview with Standard, stated; "Taylor is not important. She might be a safe space for girls, and she's probably the Madonna of now, but she's not interesting as an artist."
This followed Billie Eilish criticizing, sort of anonymously, "wasteful artists" who put out multiple vinyl editions, an apparent softball for sustainability. She later said her comments weren't directed at Swift.
Hmmm. . .
Why are these chanteuses dissing Taylor?
I don't really know, but I will note that Love commenting on who is important and interesting in laughable. Is Love "important" or "interesting"? If she is, she might be interesting as she's the late wife of the tragic Curt Cobane, whom I don't find to have been particularly important, but certainly tragic. And for Eilish, she's sort of a teenage train wreck who probably needs to get over her weird diet and flipping between hiding her form and flaunting it.
Taylor is interesting because she's a musical success. I don't like her music, which I find to be juvenile, but I will note that appearance wise she's a throwback almost to the 1940s, and appears to have gained success while being basically normal in every fashion.
Culturally, therefore, she might be sort of important in a way.
Love, and Eilish, on the other hand, might be fairly unimportant in every sense. Musically, right now, it's hard to see what actually is important. Whoever they are, they aren't in pop music.
Indeed, much of society seems to be grasping for the authentic and important right now, without much out there in the culture offering it.
Appearances
Back in November, I posted this item:
What the Young Want.* The Visual Testimony of the Trad Girls. The Authenticity Crisis, Part One.
Since that time, this trend locally has noticeably increased. It's really remarkable.
For whatever reason, I'm a student of people, so I take notice of what they wear. I'm probably in a minority of sorts that way. What people wear at Mass is a common topic in Cyber Catholic circles, but the recent turn towards the conservative amongst young, white, female Catholic parishioners is really remarkable. It's a real rejection of the cultural norm of our era.
Indeed, very recently, even amongst those young women who were part of this group, there's suddenly a change. One young woman who is routinely at Mass with her family on Sundays, and who typically showed a lot of shoulder (no, there's no problem with that) is now covering up hugely. Something's changed. It doesn't, however, carry over to Hispanic or Native American young women, both of whom continue to dress the way they have. Hispanics have always dressed very conservatively at Mass, but not in a trad fashion. They're keeping on keeping on with that.
News, real news but in a rumor fashion, leaked out recently that the Ukrainian Greek Catholic Byzantine Church is looking at putting in a mission in Casper, which would be a mission of a mission. I don't know how many Ukrainian Catholics there may be in town, but I'll bet it's a tiny number. I also bet that the mission church that's thinking of establishing a mission here, which is out of Cody, serves a mostly non-Eastern Rite community.
Something is going on there too. At a time at which some in the Latin Rite seem focused on a topic that's frankly jumped the shark, by and large, and which is really a matter of European culture, not biology, the young and rank and file in the pews seem to be moving on.
Becoming a parody of yourself
One of the risks of taking the long reach for something is that you can end up actually becoming unauthentic in your quest for authenticity.
I'm reminded of Courtney Love again.
On her Wikipedia page, there's a picture of Love wearing a kokoshnik, a stiff hat associated with Russian women. Russian women don't wear them anymore, and I'm sure they haven't for eons. She's wearing it with a miniskirt. It looked absurd, but was probably meant to make a statement. Or here's another example:
The kind of dumb stuff you say when you actually really care about "your 'basic' fashion sense".
I don't know who Japanese Breakfast is (or for that matter what an actual Japanese breakfast is) but they've showed up on this Twitter headline:
Japanese Breakfast is too busy returning to Coachella and making 'music for bottoms' to care about your 'basic' fashion senseOh, bull. That's the exact thing you say when you've tuned your fashion sense to look like you don't have a fashion sense, so you can appear to stay edgy for Coachella.
M'eh.
Exactly.
I note this as in the pews are a young couple, they're not married but perhaps engaged, whose family I somewhat know. From a very conservative background, they're trying to affect the disaffected but conservative look to the max. Unwashed hair and, for the young man, probably third or fourth hand overcoats from the 1970s with huge hounds tooth pattern. The young woman wears, of course, a chapel veil but also is affecting plain to the maximum extent possible, which is detracting a bit from her appearance. I do love her very round, plain glasses, however.
Anyhow, when going for something crosses over into sort of a parody, you've gone too far.
Lost
Anyhow, I think this trend has been going on for a while. It explains the entire Hipster look that's still with us, and was much in force several years ago.
Some days, when I leave the office, there's a young woman coming in. She's either a Native American or a Hispanic from somewhere south of the border. She's always dressed very conservatively, with dresses that remind me of what Latin American women traditionally wear. She always has a big smile when you see and acknowledge her.
She's authentic.
Last prior edition:
Cliffnotes of the Zeitgeist, 63d Edition. Strange Bedfellows.
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