Lex Anteinternet: The Carter Family - Can't Feel at Home

Lex Anteinternet: The Carter Family - Can't Feel at Home: 

The Carter Family - Can't Feel at Home

An election special.

Lex Anteinternet: Mocking Christianity.

Lex Anteinternet: Mocking Christianity.: 

Mocking Christianity.

But understand this: there will be terrifying times in the last days.  People will be self-centered and lovers of money, proud, haughty, abusive, disobedient to their parents, ungrateful, irreligious,callous, implacable, slanderous, licentious, brutal, hating what is good,traitors, reckless, conceited, lovers of pleasure rather than lovers of God,as they make a pretense of religion but deny its power. Reject them.

For some of these slip into homes and make captives of women weighed down by sins, led by various desires, always trying to learn but never able to reach a knowledge of the truth.

Just as Jannes and Jambres opposed Moses, so they also oppose the truth—people of depraved mind, unqualified in the faith.

But they will not make further progress, for their foolishness will be plain to all, as it was with those two.

2 Timothy, Chapter 3.

A very interesting Canadian agriculturalist whom I follow on Twitter (I don't care with Elon Musk calls it), who is also an Eastern Rite Catholic, noted that he, like me, didn't watch the Olympic opener (as will be noted, I watched the very start of it, grew bored, and wondered off).  So he, like me, was left with the media accounts, of which there are plenty, including video, of a group of drag queens mocking Da Vinci's The Last Supper.  He goes on to make the  point that the sex laden transvestite portrayal was likely calculated to offend, but that The Last Supper is not an icon, which is quite correct.

But, with some exception, the Latin Rite lacks icons.  While not the same, the great Medieval and Renaissance works of art in the West tended to be commissioned by the Church, so they have an association with it.  Put another way, in order to offend to the  degree as denigrating an icon, there'd be little other choice. ¹  Again, it's not an icon, but part of a set of religious works of art commissioned by and associated with Christianity in the West.

It's hard to grasp why this would occur, but the outrage in the Catholic Church, and there is a lot of it, is justified.  So is the embarrassment in some French circles, particularly French conservative ones.  The French far right came with in a gnat's breath of taking over the French government two weeks ago and the ultimate makeup of the upcoming French government is still unknown.  Had this happened before the election, I have a strong feeling that the French far right would be forming a government now.

That provides a topic for another thread, which we will address, but we'll note here.  Part of the rise of National Conservatism and Christian Nationalism, and even just far right populism, is due to debauchery such as this.

The Olympics itself was quick to claim that the portrayal wasn't not of The Last Supper, which of course is an Italian, not a French, Renaissance work, noting on Twitter:

The interpretation of the Greek God Dionysus makes us aware of the absurdity of violence between human beings.

Hmm. . . Dionysus is a Greek mythological figure, not a French one. . . 

Dionysus was the Greek god of  is the god of wine-making, orchards and fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre.  His Roman equivalent was Bacchus.  While celebrated in Roman times, the Romans also restricted unofficial celebrations dedicated to Bacchus due to the excess he was associated with it.  

Whatever else Dionysus may stand for or have stood for, it certainly had nothing to do with being against violence between human beings.  He really had a lot more to do with booze, drunkenness, sex and insanity, and its interesting that the ancient Greeks linked all of them together.  Eirene or Irene was the divinity associated with peace, but she didn't engage in drunken excess.

Another Olympic official also reacted with a series of excuses that were fairly lame.  Thomas Jolly, the artistic director of the Olympics Opening Ceremony, said the display was about "inclusion".

When we want to include everyone and not exclude anyone, questions are raised. Our subject was not to be subversive. We never wanted to be subversive. We wanted to talk about diversity. Diversity means being together. We wanted to include everyone, as simple as that.

Whatever diversity means, it doesn't mean "being together".  At least to some significant degree, it means being apart, and in the modern era, when this is being self defined in a way contrary to nature, it literally means being a Dionysus until one's self.

Jolly noted:

In France, we have freedom of creation, artistic freedom. We are lucky in France to live in a free country. I didn’t have any specific messages that I wanted to deliver. In France, we are republic, we have the right to love whom we want, we have the right not to be worshippers, we have a lot of rights in France, and this is what I wanted to convey.

Um, okay.

Le Filip, the winner of  Drag Race France season three, probably got it more accurate.

I thought it would be a five-minute drag event with queer representation. I was amazed.  It started with Lady Gaga, then we had drag queens, a huge rave, and a fire in the sky. It felt like a crowning all over again. I am proud to see my friends and queer people on the world stage.² 

Whatever a person thinks of it, Le Filip grasped it better than Jolly did, quite frankly.

For many, as I have often told you and now tell you even in tears, conduct themselves as enemies of the cross of Christ.

Their end is destruction. Their God is their stomach; their glory is in their “shame.” Their minds are occupied with earthly things.o

St. Paul to the Philippians, Chapter 3.

A portion of France, particularly urban France, has waged war with the Church and Christianity since the failed French Revolution.  Like all the revolutions that were conducted by populist mobs, their god was their belly and they turned on the Church. The same is true of the Bolshevik Revolution and the Mexican Revolution. The Church stands for the proposition that there is something greater, much greater, than us, where as populism of the left and right, at the end of the day, doesn't.  Modern "progressivism", heir to the extreme left that arose in 1798 and 1917 has the same ethos, rejecting anything outside of ourselves and rising each person to an individual Bacchus no matter how much a person's own nature may be corrupted in one fashion or another, as individual natures are the only thing that matters.  The portrayal at the Olympic opener celebrated that ethos shamefully mocking Christianity in favor of a world outlook that goes no deeper than a person's gentiles.  Their glory, is their shame.

The storms that are raging around you will turn out to be for God’s glory, your own merit, and the good of many souls. 

St. Padre Pio.

I'll be frank that I quit watching the opening ceremonies of Olympic games some time ago.  I think the last one I actually watched was the Moscow Olympics, which is now quite some time back. They've ceased to make sense to me. The Olympics are ostensibly about sports, not about the glorification of the country where they're held, or drag queens.  Indeed, I've frankly lost interest in the Olympics themselves for some reason.

This really reinforces that view, particularly as to this particular Olympics.

I feel they should just be permanently placed in Greece, for the summer games.

Make no mistake: God is not mocked, for a person will reap only what he sows, because the one who sows for his flesh will reap corruption from the flesh, but the one who sows for the spirit will reap eternal life from the spirit.

Galatians, Chapter 6.

I suspect most of the viewing audience will simply regard this attack on Catholicism as part of the show, shrug it off, and move on.  In doing so, they benefit from the liberal culture the Church created in the West and the fact that central to the Christian worldview is turning the other cheek.  In contrast, France has a very large Muslim population that nobody would dare attack in such a fashion, a cartoon depicting Mohammed for instance famously resulting in murder.  There will be no drag queens taking on an Islamic topic.  None.  Islam doesn't turn the other cheek.  Likewise, Hinduism, which of course would be completely foreign to France, can't be attacked in this fashion either without almost immediate retribution.³

Catholics aren't going to do that, nor will the rest of the Christian world.

Which doesn't mean that the offense should be ignored.

Footnotes:

1.  One religious image that has endured this is the tilmahtli associated with Our Lady of Guadalupe.  Back when there was a print Playboy magazine, the company issued a Mexican edition with a Mexican woman featured on the cover replicating the image in a pornographic fashion, which brought a firestorm of criticism.

That, and this, give credence to those who claim a diabolical origin to these events.

2.  Are there no French singers to do an Olympic opening?  Why Stefani Germanotta as the opening act?  That alone is embarrassing for France.

Having said that, the Marseilles was beautifully sung by Axelle Saint-Cirel. They should have just stopped right there.

In case anyone wonders, my watching of the show was basically bookended by those two acts.  I grew tired of the masked boofador running over roofs and wondered off to take a shower and watch something else.

3.  One religion that has endured something like this is the LDS, Mormon, faith.  Target of the satiric comedic The Book Of Mormon, it's basically shrugged it off, probably figuring, correctly, that as a minority religion, it might actually benefit from being mocked, as it at least puts a spotlight on it.  I'd guess, however, that Mormons aren't keen on the portrayal, and while I've never seen it, and I'm not a Mormon, I'm not either.  As noted, nobody would put on a Broadway satiric "The Koran", nor should they.

Lex Anteinternet: Elemental activities.

Lex Anteinternet: Elemental activities.: 

Elemental activities.

Indeed, if I had power for some thirty years I would see to it that people should be allowed to follow their inbred instincts in these matters, and should hunt, drink, sing, dance, sail, and dig, and those that would not should be compelled by force. 

Hillaire Belloc

Lex Anteinternet: Cliffnotes of the Zeitgeist, 64th Edition. Things authentic and important.

Lex Anteinternet: Cliffnotes of the Zeitgeist, 64th Edition. Things ...: 

Cliffnotes of the Zeitgeist, 64th Edition. Things authentic and important.

Why there?

On Saturday, March 30, Pro Hamas protestors interrupted the Easter Vigil Mass at St. Patrick's Cathedral in New York City.

Why St. Patrick's?

For the same reason, most likely, that LGBTQ+ figures had a protesting funeral there recently. People are drawn to Catholic places, as they're real, and therefore attention is paid to them.

Why her?

Courtney Love, in an interview with Standard, stated; "Taylor is not important. She might be a safe space for girls, and she's probably the Madonna of now, but she's not interesting as an artist."

This followed Billie Eilish criticizing, sort of anonymously, "wasteful artists" who put out multiple vinyl editions, an apparent softball for sustainability.  She later said her comments weren't directed at Swift.

Hmmm. . . 

Why are these chanteuses dissing Taylor?  

I don't really know, but I will note that Love commenting on who is important and interesting in laughable.  Is Love "important" or "interesting"?  If she is, she might be interesting as she's the late wife of the tragic Curt Cobane, whom I don't find to have been particularly important, but certainly tragic.  And for Eilish, she's sort of a teenage train wreck who probably needs to get over her weird diet and flipping between hiding her form and flaunting it.

Taylor is interesting because she's a musical success.  I don't like her music, which I find to be juvenile, but I will note that appearance wise she's a throwback almost to the 1940s, and appears to have gained success while being basically normal in every fashion.  

Culturally, therefore, she might be sort of important in a way.

Love, and Eilish, on the other hand, might be fairly unimportant in every sense.  Musically, right now, it's hard to see what actually is important.  Whoever they are, they aren't in pop music.  

Indeed, much of society seems to be grasping for the authentic and important right now, without much out there in the culture offering it.

Appearances

Back in November, I posted this item:

What the Young Want.* The Visual Testimony of the Trad Girls. The Authenticity Crisis, Part One.

Since that time, this trend locally has noticeably increased.  It's really remarkable.

For whatever reason, I'm a student of people, so I take notice of what they wear.  I'm probably in a minority of sorts that way.  What people wear at Mass is a common topic in Cyber Catholic circles, but the recent turn towards the conservative amongst young, white, female Catholic parishioners is really remarkable.  It's a real rejection of the cultural norm of our era.

Indeed, very recently, even amongst those young women who were part of this group, there's suddenly a change.  One young woman who is routinely at Mass with her family on Sundays, and who typically showed a lot of shoulder (no, there's no problem with that) is now covering up hugely.  Something's changed.  It doesn't, however, carry over to Hispanic or Native American young women, both of whom continue to dress the way they have.  Hispanics have always dressed very conservatively at Mass, but not in a trad fashion. They're keeping on keeping on with that.

News, real news but in a rumor fashion, leaked out recently that the Ukrainian Greek Catholic Byzantine Church is looking at putting in a mission in Casper, which would be a mission of a mission.  I don't know how many Ukrainian Catholics there may be in town, but I'll bet it's a tiny number.  I also bet that the mission church that's thinking of establishing a mission here, which is out of Cody, serves a mostly non-Eastern Rite community.  

Something is going on there too.  At a time at which some in the Latin Rite seem focused on a topic that's frankly jumped the shark, by and large, and which is really a matter of European culture, not biology, the young and rank and file in the pews seem to be moving on.  

Becoming a parody of yourself

One of the risks of taking the long reach for something is that you can end up actually becoming unauthentic in your quest for authenticity.

I'm reminded of Courtney Love again.

On her Wikipedia page, there's a picture of Love wearing a kokoshnik, a stiff hat associated with Russian women.  Russian women don't wear them anymore, and I'm sure they haven't for eons.  She's wearing it with a miniskirt.  It looked absurd, but was probably meant to make a statement.  Or here's another example:

The kind of dumb stuff you say when you actually really care about "your 'basic' fashion sense".

I don't know who Japanese Breakfast is (or for that matter what an actual Japanese breakfast is) but they've showed up on this Twitter headline:

Japanese Breakfast is too busy returning to Coachella and making 'music for bottoms' to care about your 'basic' fashion sense

Oh, bull.  That's the exact thing you say when you've tuned your fashion sense to look like you don't have a fashion sense, so you can appear to stay edgy for Coachella.

M'eh.

Exactly.  

I note this as in the pews are a young couple, they're not married but perhaps engaged, whose family I somewhat know.  From a very conservative background, they're trying to affect the disaffected but conservative look to the max.  Unwashed hair and, for the young man, probably third or fourth hand overcoats from the 1970s with huge hounds tooth pattern. The young woman wears, of course, a chapel veil but also is affecting plain to the maximum extent possible, which is detracting a bit from her appearance.  I do love her very round, plain glasses, however.

Anyhow, when going for something crosses over into sort of a parody, you've gone too far.

Lost

Anyhow, I think this trend has been going on for a while.  It explains the entire Hipster look that's still with us, and was much in force several years ago.

Some days, when I leave the office, there's a young woman coming in.  She's either a Native American or a Hispanic from somewhere south of the border.  She's always dressed very conservatively, with dresses that remind me of what Latin American women traditionally wear.  She always has a big smile when you see and acknowledge her.

She's authentic.

Last prior edition:

Cliffnotes of the Zeitgeist, 63d Edition. Strange Bedfellows.

Apostolic Christianity, Catholic, Donald Trump, Education, homosexuality, Israeli Hamas War, law, Mormon, Pope Francis, religion, Sex, theology, Zeitgeist

Lex Anteinternet: Two random items. Andy Griffith and Taylor Swift

Lex Anteinternet: Two random items. Andy Griffith and Taylor Swift: 

Two random items. Andy Griffith and Taylor Swift

Taylor Swift

On "X", fka "Twitter" a man who was the father to a large family of daughters (it was either 7 or 9), and who is very conservative, posted an item expressing relief for Taylor Swift.

His points were really good.

Populist right commentators are all up in arms about Swift right now, for reasons that are darned near impossible to discern.  It seems to stem from her expressing support for Democratic candidates in the past, including Joe Biden in 2016.  Well, guess what, she has a right to do that.  You have a right to ignore it. 

She also expressed support for abortion being legal.  I feel it should be illegal.  That doesn't mean she's part of a double secret left wing conspiracy.

But, and here's the thing, there are real reasons to admire her, or at least her presentation, and the father in question pointed it out.  He'd endured taking his daughters to Miley Cyrus, Ariana Grande, "Lady Gaga" etc., and found them disturbing.

Indeed, they are.

Miley Cyrus went from a child actress to being a freakish figure posed nude on a ball, looking like she was a meth addict who was working in a strip club.  Ariana Grande has at least one song that's out right graphic about illicit sex.  Lady Gaga has made a career out of being freakish, until she couldn't any longer, and like Madonna is another woman who was the product of Catholic Schools who took to songs that are abhorrent in terms of Christian, let alone Catholic, morals.

Swift, in contrast, can only be criticized a bit for dressing semi provocatively on stage, but only somewhat so. Off-stage, she's always very modestly dressed.  Indeed, she's a throwback, with her ruby red lipstick and classic nearly 1940s appearance.

And in terms of relationships, it's noted that she's dating a football player.

Now, we don't know what their private lives are like, but they're admirably keeping them private.  It's hard to know what Swift's views are on most issues.  And we really don't need to.  But in their visible relationship, made visible to us only because of media fascination, they're quite proper.  As the poster noted, the football star is "courting" her.

It's not that there's nothing to see here.  There's nothing to see here which any conservative in their right mind wouldn't have an absolute freak out about.  They're behaving exactly the way in public that supposedly Christian conservatives want dating couples to do.  No piercings, no weird tattoos, no scanty clothing.

Which would all suggest all the angst is about something else, and what that is probably about is the secret knowledge that huge numbers of real conservatives can't stand Donald Trump and won't vote for him.

The Andy Griffith Show

I was at lunch two days ago at a local Chinese restaurant, and across the way an all adult family was discussing the plot of the prior night's Andy Griffith Show rerun.  It struck me that that may not have happened since the 1960s.

It's interesting. 

The Andy Griffith Show went off the air before the Great Rural Purge in Television, but not my much.  It ran from 1960 to 1968.  It was consistently focused on the rural South, and it felt like it depicted the 1950s, which it never did, save for the fact that what we think of as the 60s really started in about 1955 and ran to about 1964.  Indeed, while the show was in tune with the times in 1960, it really wasn't in 1968.

But that in tune with the times is what strikes me here.  The family was speaking of it as if it was a currently running show, not like it was something from 60 years ago.  That suggests that in some ways people have groped their way back in the dark to idealizing the world as it was depicted then, rural, lower middle class, devoid of an obsession with sex (although it does show up subtly in the show from time to time), and divorce a rarity.

Now, the world wasn't prefect in 1960 by any means.  But the show didn't pretend to depict a perfect world, only one that was sort of a mirror on the world view of its watchers.  To some degree, that world view had returned.

Epilog

The Taylor Swift story also appears on the most recent entries for City Father and Uncle Mike's Musings, both of which are linked in on this site.

Lex Anteinternet: And the artist retorts.

Lex Anteinternet: And the artist retorts.: 

And the artist retorts.

I have to give him credit, he's not accepting the co-opting of his song by the populist right candidates, and includes them in the class of those he's singing about.

Lex Anteinternet: Rich Men North of Richmond, Part I. Resisting the "signs and wonders" and completely missing what's gong on.

Lex Anteinternet: Rich Men North of Richmond, Part I. Resisting the...: 

Rich Men North of Richmond, Part I. Resisting the "signs and wonders" and completely missing what's gong on.

Rich Men North of Richmond, which is independently produced, I think, had made a big Internet and music scene splash, and frankly, not because it's good.

It is, as of this writing, on Billboard's Hot 100.

The ballad is played by Oliver Anthony, a genuine blue collar Virginian, apparently.  All of his music videos seem to be filmed in a heavily wooded lot, which also appears to be genuine, although the rural South provides a certain cache in country music to such an extent that a Canadian band has even affected it, calling itself The Dead South.  All of Anthony's music is played on a Resonator Guitar, a type of guitar I normally call a Dobro.  I associate resonated guitars with the blues, not with country music, so this is a bit odd in and of itself.

How I imagine a guitar with a resonator properly being used.

Fans have gushed on the "return" of "real" or "authentic" country music, and this may indeed be the first genuine example of authentic country music to become a big hit in decades.  Even 1st Lt. Austin von Letkemann, the author (host? mc?) of the wickedly funny Army satire series Mandatory Fun Day mentioned it the other day, as a real fan, citing Colter Wall at the same time.  Wall is authentic, that's for sure, but in a different genre, genuine Western, i.e., cowboy, music.

But I don't think it's the music that boosted Anthony's song to the top of the C&W charts.  It's the content.  Consider the lyrics:

I've been sellin' my soul, workin' all day

Overtime hours for bullshit pay

So I can sit out here and waste my life away

Drag back home and drown my troubles away

It's a damn shame what the world's gotten to

For people like me and people like you

Wish I could just wake up and it not be true

But it is, oh, it is

Livin' in the new world

With an old soul

These rich men north of Richmond

Lord knows they all just wanna have total control

Wanna know what you think, wanna know what you do

And they don't think you know, but I know that you do

'Cause your dollar ain't shit and it's taxed to no end

'Cause of rich men north of Richmond

I wish politicians would look out for miners

And not just minors on an island somewhere

Lord, we got folks in the street, ain't got nothin' to eat

And the obese milkin' welfare

Well, God, if you're 5-foot-3 and you're 300 pounds

Taxes ought not to pay for your bags of fudge rounds

Young men are puttin' themselves six feet in the ground

'Cause all this damn country does is keep on kickin' them down

Lord, it's a damn shame what the world's gotten to

For people like me and people like you

Wish I could just wake up and it not be true

But it is, oh, it is

Livin' in the new world

With an old soul

These rich men north of Richmond

Lord knows they all just wanna have total control

Wanna know what you think, wanna know what you do

And they don't think you know, but I know that you do

'Cause your dollar ain't shit and it's taxed to no end

'Cause of rich men north of Richmond

I've been sellin' my soul, workin' all day

Overtime hours for bullshit pay

Rich Man North of Richmond, it might be noted, comes hard on the heels of In A Small Town, by Jason Aldean.  

Consider its lyrics:

Sucker punch somebody on a sidewalk

Carjack an old lady at a red light

Pull a gun on the owner of a liquor store

Ya think it's cool, well, act a fool if ya like

Cuss out a cop, spit in his face

Stomp on the flag and light it up

Yeah, ya think you're tough

Well, try that in a small town

See how far ya make it down the road

Around here, we take care of our own

You cross that line, it won't take long

For you to find out, I recommend you don't

Try that in a small town

Got a gun that my granddad gave me

They say one day they're gonna round up

Well, that shit might fly in the city, good luck

Try that in a small town 

See how far ya make it down the road

Around here, we take care of our own

You cross that line, it won't take long

For you to find out, I recommend you don't

Try that in a small town

Full of good ol' boys, raised up right

If you're looking for a fight

Try that in a small town

Try that in a small town

Try that in a small town

See how far ya make it down the road

Around here, we take care of our own

You cross that line, it won't take long

For you to find out, I recommend you don't

Try that in a small town

Try that in a small town

Ooh-ooh

Try that in a small town

Aldean, I'd note, isn't from a small town.  He's' from Macon, Georgia, population 150,000 or so, so it's a mid-sized city.  And In A Small Town isn't real country, but rather country and enjoyed the same popularity.

Both of these songs immediately became populist anthems.  So much so that none other than liberal economist Robert Reich, whom this blog has an obvious love/hate relationship, just posted on the song, with frankly a typically disappointing analysis.

Rich Men North of Richmond

Republicans court cultural populism, while Democrats eschew economic populism. But economic populism is the key.

Reich offers his view, but he's wrong on what's going on here, at least in part, and certainly wrong on the fix.  Like other left wing economists in the United States, Reich is a corporate capitalist, which is also what all the right wing economists are. Reich correctly believes that the system has gone wonky to the detriment of the working class (whatever the current working class may be), but he fails to grasp, as nearly every economist in the United States and perhaps the Western World, or maybe even the planet, that the economy is supposed to serve average lives and average lives come first.  I.e., it's 1) my life and;  2) I need to work.  Not I'm a worker in a glorious worker's state and work will exalt me, or I'm a consumer in a glorious consumption state and consumption will exalt me, which are effectively the flip side of corporate capitalism.

So what's going on here?

Well, the economy isn't serving people's lives, and that's because corporate capitalism doesn't.  Neither right nor left economists get it.  For that matter, left wing politicos, as exhibited by Reich's writings, particularly don't get it.

Reich is one of the people who keep interpreting this stuff from solely an economic prospective, while simultaneously, and increasingly from a bigoted prospective, issuing warnings about "Christian Nationalism", which actually isn't a movement this is part of at all.  Southern Cultural Christianity is, but that's completely different, and indeed largely leans on a different branch of Christianity (the same people who go to Trump rallies and find him to be a fine Christian probably think Constantine the Great ripped the faith away from the Baptists, or something).

Constantine the Great watching the burning of the books of Arian heretics.  Constantine would likely regard most MAGA Christians as appalling on religions grounds, while he'd recognize Christian Nationalist.  He can't be considered one, however.  He's regarded as a saint by the Easter Orthodox and the Ukrainian Catholic Church.

You can get a taste of what's actually up with these songs from the comments to Rich Men North of Richmond on Youtube.

1.  39 years old. Spent 12 1/2 years as a plumber until the small company I worked for went under as the pandemic began. Working for a big chain home store for the last 3 years getting beaten into the ground, treated like a disposable asset, and watching my earnings equal less and less as the prices of basic necessities goes up. Ive fought addiction and won. Ive found love and lost it. This song resonates on a level that I havent felt in a long time. Thank you and god bless. 🙏

2.  As a disabled Marine, struggling to even be in public, struggling with all the bullshit in this world, struggling with thoughts of suicide, struggling to find pride in my Country, struggling to find the strength to get up every day to do the same damn thing to barely make ends me… as an American STRUGGLING with LIFE… thank you for bringing a little hope to my small part of the world… thank you for letting me know I am not alone with my thoughts and feelings… THANK YOU and God bless you Oliver Anthony

3.  I’m a 42 year old ex addict living in a camper trailer pay cheque to pay cheque with my kids part time while working to help the homeless and addicted community. I won’t stop working like the rest of you because we know at some point that one day will come that we may get that one break that shows us it was all worth it. 

Amazing song Oliver, thank you for sharing it

4.  As a hard working black American man, this song is 🔥 📛  the first country song on my Playlist and I hope for more. In an Era where soul is gone from music THIS IS A BREATH OF MUCH NEEDED AIR. even put a tear in my eye 🔥

5.  And just like that you became the voice of 40 or 50 million working men. Amazing work, sir.

And there are a lot more.

Let's break down the lyrics again, emphasizing the ones that are telling.

I've been sellin' my soul, workin' all day

Overtime hours for bullshit pay

So I can sit out here and waste my life away

Drag back home and drown my troubles away

It's a damn shame what the world's gotten to

For people like me and people like you

Wish I could just wake up and it not be true

But it is, oh, it is

Livin' in the new world

With an old soul

These rich men north of Richmond

Lord knows they all just wanna have total control

Wanna know what you think, wanna know what you do

And they don't think you know, but I know that you do

'Cause your dollar ain't shit and it's taxed to no end

'Cause of rich men north of Richmond

I wish politicians would look out for miners

And not just minors on an island somewhere

Lord, we got folks in the street, ain't got nothin' to eat

And the obese milkin' welfare

Well, God, if you're 5-foot-3 and you're 300 pounds

Taxes ought not to pay for your bags of fudge rounds

Young men are puttin' themselves six feet in the ground

'Cause all this damn country does is keep on kickin' them down

Lord, it's a damn shame what the world's gotten to

For people like me and people like you

Wish I could just wake up and it not be true

But it is, oh, it is

Livin' in the new world

With an old soul

These rich men north of Richmond

Lord knows they all just wanna have total control

Wanna know what you think, wanna know what you do

And they don't think you know, but I know that you do

'Cause your dollar ain't shit and it's taxed to no end

'Cause of rich men north of Richmond

I've been sellin' my soul, workin' all day

Overtime hours for bullshit pay

 Okay, some of that, like Mr. Reich notes, is economic, but a lot of it isn't. The protagonist notes:

1.  He has "an old soul".

2.  The rich men he complains about want total control, even over what he thinks.

3.  He complains about the Jeffrey Epstein saga, but more in an allegorical way than a specific way, suggesting that politicians are more concerned with their immoral pursuits than the lives of average working people.

4.  He takes a shot at the welfare poor, and unusually, notes fat ones (hardly anyone does that in contemporary America).

Hmmmm. . . Doesn't seem to be all economic. . .

There's a common liberal belief, and Reich is one of those espousing it, that if only the economy is good, everyone is happy.  Reich is one of those who goes on to point out, and correctly, that the economy really is good right now.  One who also does this nearly weekly is Donna Brazile, who is a Democratic political commentator I really like.

Nobody is saying the economy is perfect, of course, including Reich or Brazile.

But there's something they've noted, that they are missing.

If the economy is really good, and in actuality it is, and a large section of the middle class (and contrary to what pudits claim, its definately not all the "white male" middle class) are bitterly unhappy, what's going on.

The usual assertion is that the economy is doing well, but people just don't know it, which is a bit of a bizarre assertion.  People tend to know if they're doing well or not, which raises this question, with unemployment down, wages up, and inflation slowing, are people doing well?

Well, they might not actually be, and COVID may have made that plain to them.

One thing that's underlying the tone of the song is the economic shift in the nature of work since about 1970.

Well, the economy isn't serving people's lives, and that's because corporate capitalism doesn't.  Neither right nor left economists get it.  For that matter, left wing politicos, as exhibited by Reich's writings, particularly don't get it.

Reich is one of the people who keep interpreting this stuff from solely an economic prospective, while simultaneously, and increasingly from a bigoted prospective, issuing warnings about "Christian Nationalism", which actually isn't a movement this is part of at all.  Southern Cultural Christianity is, but that's completely different, and indeed largely leans on a different branch of Christianity (the same people who go to Trump rallies and find him to be a fine Christian probably think Constantine the Great ripped the faith away from the Baptists, or something).

Constantine the Great watching the burning of the books of Arian heretics.  Constantine would likely regard most MAGA Christians as appalling on religions grounds, while he'd recognize Christian Nationalist.  He can't be considered one, however.  He's regarded as a saint by the Easter Orthodox and the Ukrainian Catholic Church.

You can get a taste of what's actually up with these songs from the comments to Rich Men North of Richmond on Youtube.

1.  39 years old. Spent 12 1/2 years as a plumber until the small company I worked for went under as the pandemic began. Working for a big chain home store for the last 3 years getting beaten into the ground, treated like a disposable asset, and watching my earnings equal less and less as the prices of basic necessities goes up. Ive fought addiction and won. Ive found love and lost it. This song resonates on a level that I havent felt in a long time. Thank you and god bless. 🙏

2.  As a disabled Marine, struggling to even be in public, struggling with all the bullshit in this world, struggling with thoughts of suicide, struggling to find pride in my Country, struggling to find the strength to get up every day to do the same damn thing to barely make ends me… as an American STRUGGLING with LIFE… thank you for bringing a little hope to my small part of the world… thank you for letting me know I am not alone with my thoughts and feelings… THANK YOU and God bless you Oliver Anthony

3.  I’m a 42 year old ex addict living in a camper trailer pay cheque to pay cheque with my kids part time while working to help the homeless and addicted community. I won’t stop working like the rest of you because we know at some point that one day will come that we may get that one break that shows us it was all worth it. 

Amazing song Oliver, thank you for sharing it

4.  As a hard working black American man, this song is 🔥 📛  the first country song on my Playlist and I hope for more. In an Era where soul is gone from music THIS IS A BREATH OF MUCH NEEDED AIR. even put a tear in my eye 🔥

5.  And just like that you became the voice of 40 or 50 million working men. Amazing work, sir.

And there are a lot more.

Let's break down the lyrics again, emphasizing the ones that are telling.

I've been sellin' my soul, workin' all day

Overtime hours for bullshit pay

So I can sit out here and waste my life away

Drag back home and drown my troubles away

It's a damn shame what the world's gotten to

For people like me and people like you

Wish I could just wake up and it not be true

But it is, oh, it is

Livin' in the new world

With an old soul

These rich men north of Richmond

Lord knows they all just wanna have total control

Wanna know what you think, wanna know what you do

And they don't think you know, but I know that you do

'Cause your dollar ain't shit and it's taxed to no end

'Cause of rich men north of Richmond

I wish politicians would look out for miners

And not just minors on an island somewhere

Lord, we got folks in the street, ain't got nothin' to eat

And the obese milkin' welfare

Well, God, if you're 5-foot-3 and you're 300 pounds

Taxes ought not to pay for your bags of fudge rounds

Young men are puttin' themselves six feet in the ground

'Cause all this damn country does is keep on kickin' them down

Lord, it's a damn shame what the world's gotten to

For people like me and people like you

Wish I could just wake up and it not be true

But it is, oh, it is

Livin' in the new world

With an old soul

These rich men north of Richmond

Lord knows they all just wanna have total control

Wanna know what you think, wanna know what you do

And they don't think you know, but I know that you do

'Cause your dollar ain't shit and it's taxed to no end

'Cause of rich men north of Richmond

I've been sellin' my soul, workin' all day

Overtime hours for bullshit pay

 Okay, some of that, like Mr. Reich notes, is economic, but a lot of it isn't. The protagonist notes:

1.  He has "an old soul".

2.  The rich men he complains about want total control, even over what he thinks.

3.  He complains about the Jeffrey Epstein saga, but more in an allegorical way than a specific way, suggesting that politicians are more concerned with their immoral pursuits than the lives of average working people.

4.  He takes a shot at the welfare poor, and unusually, notes fat ones (hardly anyone does that in contemporary America).

Hmmmm. . . Doesn't seem to be all economic. . .

There's a common liberal belief, and Reich is one of those espousing it, that if only the economy is good, everyone is happy.  Reich is one of those who goes on to point out, and correctly, that the economy really is good right now.  One who also does this nearly weekly is Donna Brazile, who is a Democratic political commentator I really like.

Nobody is saying the economy is perfect, of course, including Reich or Brazile.

But there's something they've noted, that they are missing.

If the economy is really good, and in actuality it is, and a large section of the middle class (and contrary to what pundits claim, it's definitely not all the "white male" middle class) are bitterly unhappy, what's going on.

The usual assertion is that the economy is doing well, but people just don't know it, which is a bit of a bizarre assertion.  People tend to know if they're doing well or not, which raises this question, with unemployment down, wages up, and inflation slowing, are people doing well?

Well, they might not actually be, and COVID may have made that plain to them.

One thing that's underlying the tone of the song is the economic shift in the nature of work since about 1970.

A meme version of the economics of the 1950s. . . dealing with more than economics.  This depiction of the 50s drives commentators nuts, who decry it as a myth, but there's more than a little truth to it, both in what it states, and in what it otherwise depicts.  

Americans tend to look back to the 1950s as some sort of golden age, and have a really mythologized view of the era.  Be that as it may, in the 50s, most men could in fact support a family on their income alone, and not just from white collar jobs but from blue collar jobs.  Not only could most men do it, but most men did do it.  As late as the 1970s, a lot of husbands actually objected to their wives working, whereas now most married women not only do work, but must work.  Perhaps an error in here, however, is that in the 50s that a lot of people were going to college.  In reality, in 1950 only 7.3% of men had a college degree and only 5.2% of women did, which by 1960 was 10.3% and 6% respectively.  This means, however, that a university degree was like gold.  Of interest, both of my mother's parents had university degrees, which is phenomenal given that they obtained them in the early 20th Century.  Neither of my father's parents did.  Also of note, my mother had a college degree, an AS, but she obtained in the 1970s and was not a high school graduate due to the Great Depression, where has my father had a DDS and his brother and one of his sisters attended university in the 1940s/1950s.

The 50s through the early 1970s really reflect post World War Two conditions, however, and might not be the best era to look at.  The 40s can't be looked at either, due to World War Two, nor can the 30s, due to the Great Depression.  You really have to get back to the 10s and 20s for economies to compare to, with some comparison from later decades.  Any way you look at it, however, a lot more families were supported from a single, usually male, income, but it was also the case that a lot more women always worked than is recognized.

Myths have power, however, and they also reflect aspects of reality as a rule.  Beowulf may not have slain a dragon in Sweden, but a warrior named Bear (Bee Wolf) probably was an early Scandinavia warrior vassal of note.  There really was a big battle at Troy, and it probably did start off as a totally juvenile spat over a girl that somebody regarded as a babe, although it's likely there was more to it than that.  Arthur wasn't a chivalric knight, but somebody the legend was based on, probably was a British Roman who did take on the invading Teutons in defense of Roman Britain heroically before going down on a battlefield.  There was indeed an era, not long ago, when a high school education could bring a person a living wage for not only the graduate, but a spouse and kids, and provide a middle income life.

And there was also a time during which, as harsh as the reality is, that you weren't in grocery store lines behind people who are paying for food with assistance, but who had money for tattoos, and who have suspended any regard for their personal appearance.

This is all obvious to people who are barely eeking by, but who know that their grandparents, with no more education than they have, did relatively well.

To add to it, although only subtly grasped, people are also aware, even as they participate in it, that the country's become a moral sewer.  The problem, in a way, is not that Jeffrey Epstein is uncommon, but rather than he is common in a way.  Only the rich, of course, used him as a procurer for teenage prostitutes, but the entertainment industry is essentially a society wide procurer for cinematic prostitution that has become increasingly debased.

All that does involve wealth, but part of the underlying tone, and one that people like Reich can't seem to grasp, is that the American political left insists that it all conduct be accepted and each person's choices, no matter how self-destructive, anti-natural, debased, or weird, be celebrated.  People very well know that the entire movement to support surgical gender mutilation of children is wrong, for example, as well as deeply weird, but the left demands it be celebrated, just as it insists that what nearly amount to homosexual sex manuals be placed in public schools with public funds.  It is not that the standard bearers of the right are moral people.  Trump is a serial polygamist.  It's rather that there's a difference in promoting immorality and demanding that it be accepted and distancing policy from it, even if you engage in immorality yourself.  Double standards abound, but what the unhappy class is looking at doesn't seem to be grasped.  

Indeed, as the left repeatedly fails to grasp in regards to the that unhappy class, is that the class itself may not really apply the standards it mourns all that deeply, in regard to at least some of them.  Critics from the left, like Robert Reich, keep branding the movement "Christian Nationalist", as do some critics from the right, such as Susan Stubson.  They're both in correct.  Christian Nationalist take the practice of Christianity really seriously.  Southern Cultural Christian Populist, however, have a world roughly framed out by the Southern Baptist Convention, the pre-1970 Episcopal and Methodist Church's, or the African Methodist Church loosely in mind, but as a framework, not as a fortress.  Put another way, Christian Nationalist look to the Apostolic age and know what that meant, and aren't really comfortable completely with people who sit around watching NASCAR on Sundays.  Southern Cultural Christians are perfectly comfortable with watching NASCAR on Sundays and attend church for weddings, funerals, Easter and Christmas. They aren't the same thing.

But what both are uncomfortable with, but in different ways, is a liberalism that insists that genders can be changed, and there's nothing wrong with books in public schools that explore sodomy.  That exceeds the boundaries of the loosely defined structure for Southern Cultural Christians and is definitely gravely immoral to Christian Nationalists, as well as frankly gravely immoral to any Christians of any stripe who are serious about what their faiths hold.

In 2008, I stopped at the liquor store on my way home from work to buy a six-pack of beer.  It was late summer.

In the liquor store there were two young women, in their very early 20s, with a young man of the same age.  One of the young women was holding a baby.

The girl, and that's really what she was, holding the baby was pretty, but in a trashy sort of way, and in the way that you know won't last.  The other girl was not.  Both young women were wearing t-shirts that were too small for them, and too tight to be decent.  They were both wearing Daisy Dukes.  The young man was shaking and incredibly disheveled.  It was pretty clear that he was the father of the baby, equally clear that he and the young woman weren't married, and just as clear that he was a tweaker.

The pretty girl holding the baby had eyeliner and a proud visage, sort of like the pretty but trashy girls did back when I was in high school. They'd retained the eyeliner sort of make up that girls in junior high wore, back when I was in junior high, after girls of that age first started taking up makeup.  Most girls abandoned that by high school, but the ones that were of a certain type didn't.  That girl, the pretty one, was wearing an Obama for President t-shirt.  I knew at that moment, well before the election, who would win.

The image that was on the girl's t-shirt.  It wasn't "Hope" that they had a vested interest in.

Now, this isn't a comment on President Obama at all, but rather on something else, and that something else gets back to Rich Men North of Richmond.

The young man in that group is likely dead by now.  Tweaking in his early 20s, it's unlikely he survived another fifteen years.  The girl who the mother likely is, and if she was 21 then, she's 36 now.  She's also likely in the 300 lbs category the song referenced, the signs of that already being there.  And indeed, what she was supporting, and likely at least her female cohort, wasn't "hope", as Obama was espousing, it was government assistance.  The child, now 15, has probably spent his or her entire life on it.

And that, in some vague sort of way, is what Oliver Anthony is lamenting.  

All of these people likely descended from people who had held blue collar jobs.  But a modern society reconstructed in a liberal image had turned them into wards of the government in some ways, and they weren't ashamed of it.  Their attachment to any sort of conventional morality had lapsed, perhaps beyond repair, and they were reproducing without structure and raising a generation behind them, perhaps as they'd been raised, that recalls Philippians,  "Their end is destruction, their god is the belly, and they glory in their shame, with minds set on earthly things."  They didn't go on to be Megan Rapinoe, who would be just about their age, almost undoubtedly, but probably heavily tattooed, and living on the funds generated by others.

A large number of abandoned rust belt and other blue collar Americans are well aware of this, even if they aren't necessarily beyond some of the call of that themselves.

That's what liberal pundits are missing, and that's what populist, some sincere and some not, have picked up on.

El Paso Sheriff : What's it mean? What's it leadin' to? You know, if you'd have told me 20 years ago, that I'd see children walking the streets of our Texas towns with green hair and bones in their noses, I just flat-out wouldn't have believed you.

Ed Tom Bell : Signs and wonders. But I think once you quit hearing "sir" and "ma'am," the rest is soon to foller.

El Paso Sheriff : Oh, it's the tide. It's the dismal tide.

No Country For Old Men. 

And that's why their message is failing.

And for traditional conservatives, as, well as liberals, there may now be, by this time, something even scarier at work. . . 

Lex Anteinternet: A minor and disturbing example of how quickly war changes things. The singing of Sofia Shkidchenko.

Lex Anteinternet: A minor and disturbing example of how quickly war ...: 

A minor and disturbing example of how quickly war changes things. The singing of Sofia Shkidchenko.

She was a contestant on Ukraine's "Ukraine's Got Talent", kids edition, in 2017.

Seems like every nation in the world has some variant of this.

Jimmy Akin posted this on his Facebook Feed, noting how cheerful this prewar performance was, which it is.  I think she was 11 at the time she sang this, and she's awesome.

I will  note that yodeling isn't really a Ukrainian thing, as so far as I know, but she's super at it.  Some of the lyrics here are in English, which shows how dominant English has become globally as well, and contrary to what people will claim about there being no accents in sung English, her Ukrainian accent is thick.

Well, with pipes like that, she's tried to keep a singing career up, and she ought to.  She has a really good voice, and a command of it.

As recently as 2020, the yodeling thing was still going on.  Here's an example from that year, at which time she was apparently 14.  Here she sings in German.  I can grasp some German, but not enough to be able to tell if her Ukrainian accent is equally thick in German.

You probably can't make a career of being a Ukrainian yodeler, I'm guessing, and her YouTube page shows some odd attempts at covers, such as John Denver's Take Me Home Country Roads.  Anyhow, here's one from last year that's clearly an attempt to cross over into being a Ukrainian pop star (heck, maybe she is a Ukrainian pop star).

As a non-Ukrainian, I have to say that this piece is both very pop, and very, even oddly, Ukrainian.

Here's a more "pop" one.

What about now?

And check out the evolution of the music, particularly the lyrics.

And this one could be right out of the Second World War.

So there you go.  How to go from a kid singing "What Does The Fox Say" to ballads about killing the Russians.

Really good job there, Putin.  Getting your country into a war you can't win, over dreams of imperial glory, and making a people that didn't like yours in the first place, probably hate you for another generation.